|Mendelssohn helped bring to life a long-forgotten work by
|The connection between Shakespeare’s play and Mendelssohn’s Overture to A Midsummer Night’s Dream was explained by
||Mendelssohn himself, who wanted a brief account of the play in the printed program.
|Which of the following is true of program music?
||It is instrumental music openly linked to an object, idea, or story.
|Mendelssohn keeps within sonata form protocol by
||bringing all themes back in the recapitulation
|Mendelssohn’s Overture to A Midsummer Night’s Dream sets the mood in the opening by
||setting the winds at a high register
|Which of the following characters are represented in Mendelssohn’s Overture to A Midsummer Night’s Dream?
||the fairies who live in an enchanted forest and Bottom, a tradesman who is turned into a donkey
|Which character(s) is/are represented by a high-pitched, scurrying theme?
|Mendelssohn’s Overture to A Midsummer Night’s Dream makes sense without prior knowledge of the drama because
||Mendelssohn knew that not every listener would know the play and composed accordingly
|Which character is represented by a loud, braying theme?
||Bottom, the weaver
|As a child prodigy who toured much of Europe at a young age, Mendelssohn was similar to